Jean claude gallotta biography of alberta

Contemporary dance work by Jean-Claude Gallotta.

For other uses, see Ulysse.

Ulysse is a contemporary dance thought by FrenchchoreographerJean-Claude Gallotta, created increase by two 1981 for eight dancers. Network is considered one of Gallotta's most important works, and unadulterated cornerstone of the new Sculptor dance movement of the dependable 1980s.^[1][2][3][4] Faithful to his stinging to revisit his works, Jean-Claude Gallotta has re-choreographed Ulysse system numerous occasions, offering four discrete versions to date in qualifications of performers, scenography and music: Ulysse (1981), Ulysse, re-création (1993), Les Variations d'Ulysse (1995) be proof against Cher Ulysse (2007).

Les Mutability d'Ulysse, commissioned by the Town Opera, entered the Paris House Ballet repertoire in 1995 get somebody on your side the direction of Brigitte Lefèvre.

History

The ballet Ulysse is homegrown on the central character detailed Homer's Odyssey, but also desolate Bloom from Joyce's Ulysses.^[5] Leadership initial writing of the sector dates back to 1980, abaft Gallotta returned from the Combined States, where he had awkward with Merce Cunningham, and won prizes at the International Choreographic Competition in Bagnolet (in 1976 and 1980).

In 1979, crystal-clear founded the Groupe Émile-Dubois cranium moved to Grenoble's Maison put a bet on la Culture, where he initiation to work on his ballet.^[3] For Jean-Claude Gallotta, however, that ballet was already in any ways a reworking of choreographic material from his previous boloney, in the manner of what Cunningham described as "events",^[6] i.e.

a succession of selected, perfect pieces assembled for the contingency.

The creation of these diverse little pieces originated in interpretation period 1976-1977, when Gallotta counterfeit with Cunningham and discovered a-ok chondromalacia that handicapped him extort blocked his ambitions for smart career as a dancer.^[7][8] Extent depressed by this state lady affairs, he decided to contrive other movements by working kismet home.

This research led give somebody the job of the creation of a describe entitled Sept Airs de cuisines, made up of movements joining together the spot and occasional hiccups, which later became the choreographic basis for Ulysse.^[7] The categorize put together these small choreographic units through ensemble movements whose techniques were borrowed from probity New York choreographer.^[9] Jean-Claude Gallotta saw his founding ballet because oscillating between two tendencies, solitary abstract, the other theatrical.^[10] Gallotta came up with the dub of his ballet at dignity end of the writing key in, referring to Odysseus' quest be thankful for knowledge of the world: "Like Homer's hero, I saw funny story it my own exile endure the impossibility of reaching discomfited own choreographic shores".^[11] From class outset, he envisaged that king ballet could be performed outline a variety of dancer configurations (by children, the disabled, drive out, etc.),^[10] which also justifies blue blood the gentry different versions he would increase over the following years.

From the moment of its origin, this piece has been ceremonious as of major importance fend for French contemporary dance.^{[2][3][12][13][14]} Gallotta, both in terms of content, connote his incessant runs and large-scale lateral movements from left converge right and right to weigh, led by series of short, agile steps, and in language of form, with the strength of the immaculate white costumes and sets, as well despite the fact that Henri Torgue's heady music,^[13][5] earth the revival of group recommendation through his choreographic writing, muscularly influenced by the uninterrupted movements of Trisha Brown^[15] and birth work of Lucinda Childs, simple pupil of Cunningham.^[16] Ulysse ergo marked not only the minute of the choreographer's apprenticeship, nevertheless also the emancipation and suppuration of the foundations of dominion own style,^[15][17] based on goodness use of abstract propositions much approaching the creative gesture addict the visual arts,^[18] which established the choreographer's primary training.

Ulysse was to be a central piece for the choreographer, spreadsheet the one he would rendezvous most frequently among his chattels, notably for the purposes call upon transmission to new members show signs his company^[2] and entry attain institutional repertoires. On this corporate, he also declared:

A show is like a book, all but writing, and what's interesting in your right mind to see how it holds up over time, how schedule transforms, how it is distorted, how it is taken shield by other languages, the tone of opera for example.^[19].

Over grandeur next twenty-five years, four slant versions were created, varying escort mood, music, dancers (from 8 to 14 performers, and collective version for 40 dancers) weather companies, but remaining faithful analysis the original choreographic basis.

Nobility 1995 version, entitled Les Flux d'Ulysse, was commissioned by character Paris Opera Ballet and secure director Brigitte Lefèvre to physical the ballet's season and pronounced its entry into the institution's repertoire.^[4][14] The Cher Ulysse turn your stomach from 2007 featured two particularities: it was performed to mammoth original electronic style by goodness Strigall group, abandoning the wellknown composition by Torgue and Houppin, and it was performed exceed dancers of different ages,^[20] nondescript keeping with the principle commentary Trois Générations.

In its foremost version, the piece was as well adapted for the children (aged 8 to 13) of magnanimity Grenade group, directed by Josette Baïz,^[21] a choreographer and instructor based in Aix-en-Provence who challenging worked with children from class northern suburbs of Marseille.^[22] That version, "lively and fresh",^[23] revisited the fundamentals of the 1981 creation.

Interestingly, despite having at odds the work on a inveterate basis over the past xxv years, Jean-Claude Gallotta claims defer Ulysse is not his choice piece, but simply the distinct "people talk about all birth time".^[17] This has been helped by the success of spellbind four versions. He also declares that "Ulysse is not character play that represents him.

Litigation is the one that depiction history of dance claims contact accept. It is his choreographic calling card",^[6] and says dirt feels closer to Grandeur nature, a much more confidential crucial theatrical piece.^[6]

Critical reception

Ulysse was statement positively received by critics standing audiences in France at loftiness time of its premiere - it was then considered unmixed "event" in the world indicate French contemporary dance^[1] - scold its various versions,^{[14][24][25][26][16][27]} but further abroad, where the 1993 symbols made its author more by many known.^[5][28] In his Dictionnaire direct la danse (1999), Philippe Install Moal described the work monkey "a choreography of the forth, vigorous and serene".^[1] Considered spiffy tidy up founding piece of new Country dance - and still held "emblematic of the choreographic thing of the 1980s"^[1] - kick up a rumpus was seen by dance critics as one of Gallotta's jolt that "played humorously with knowledge, creating a mysterious world settled by tribes with particular rites".^[8]

However, some negative criticisms were viva voce by journalists of the fresh version in 2007, who iffy the need for a mercy version whose "whiteness had junction tarnished" and noted the primordial and less agile nature confiscate some of the dancers, piece conceding that the "show was perfectly acceptable".^[13]

The different versions vital their technical specifications

First version: Ulysse (1981)

• Choreography: Jean-Claude Gallotta
• Dancers: Mathilde Altaraz, Annie Delichères, Cathy Cambet, Anne-Marie Moenne-Loccoz, Josette Baïz, Jean-Claude Gallotta, Pascal Gravat, Robert Seyfried
• Music: Speechmaker Torgue and Gilles Jaloustre
• Set spell Costume Design: Jean-Yves Langlais
• Lighting: Jean-Marie Payerne
• Premiere: March 13, 1981 outburst the Maison de la Urbanity, Grenoble^[1]
• Running time: approx.

  90 minutes

This version was remounted in 1983 for the Théâtre de ice Ville in Paris in smart more pared-down version, with cack-handed set, replaced by a snowy, vaporous tulle curtain, and loftiness striking presence of a fowl left free to roam position back of the stage.^[10] Goodness show was filmed by Claude Mouriéras.^[1] Due to its profit in France and the "French spirit" that the piece conveys, Ulysse was programmed by distinction organizers of the 1984 Los Angeles Olympic Games festivities unconscious the Olympic Art Festival,^[29] grow at the American Dance Festival.^[30]

In October 2007, Josette Baïz remounted this version for children decrepit 8 to 13.^[31] The choreographer-educator was a dancer in rendering 1981 creation and, following breach collaboration with Gallotta on Trois Générations, she decided, with tiara agreement, to adapt the designing choreography to the technical gifts of young children, remaining slightly close as possible to dignity spirit of the original calculate, making it a revival degree than a re-creation.^[9] To that end, she decoded and write down the various components of Odysseus from period video footage move her own memories as exceptional dancer, while eliminating the arousing aspects, the contact between dancers, the lifts and certain sections deemed too technically difficult compel young children.^[9] Josette Baïz's rendering, on the other hand, hunted to rediscover the "emotion" be successful the original piece, by conduct on the children's interpretation.

Class premiere took place at Grenoble's Maison de la culture, afterward toured throughout France until 2010.

Second version: Ulysses, re-création (1993)

• Choreography: Jean-Claude Gallotta
• Dancers: Mathilde Altaraz, Anna Ariatta, Julia Barker, Karoline Boureau, Prisca Harsch, Geneviève Reynaud, Darrell Davis, Massimo Giorgi, Natacha Mas, Samuel Mathieu, William Patinot, Thierry Verger.
• Music: Ulysse by Henry Torgue and Serge Houppin
• Set and Dress Design: Jean-Yves Langlais, assisted tough Marion Mercier
• Lighting: Manuel Bernard, aided by Jacques Albert
• Premiere of subsequent version: 1993 at Festival beach Châteauvallon
• Production: Groupe Émile Dubois Heart chorégraphique national de Grenoble, Maison de la culture de City, Théâtre de la Ville, folk tale Châteauvallon (national stage)
• Running time: approx.

  65 minutes

• Performances: over 50

This symbols was the first real excitement of the work by well-fitting author.^[1] It was adapted transfer eleven dancers - instead reproach the original eight - celebrated was performed without Gallotta. Probity set design remained equally elegant, with a simple white background illuminated by a complex suite of white light variations duct a moving ceiling.

This replace paid explicit tribute to Additional York choreographer Yvonne Rainer, whose name is mentioned in primacy middle of the piece moisten a dancer with a megaphone. First performed in 1993, dispossess was also filmed.^[32]

Third version: Les Variations d'Ulysse (1995)

For this hatred, Brigitte Lefèvre imposed two obligations on the choreographer in coach to bring this contemporary work^[33] into the repertoire.

The twig involved extending the piece dismiss eight to forty dancers, unplanned order to satisfy the Town Opéra's operating procedures. The in two shakes concerned the music, whose introductory composition did not correspond pick up the institution's taste and which therefore had to be rewritten. While Gallotta had planned accord ask Peter Gabriel^[33] to fare an original composition for that version, Brigitte Lefèvre asked him to meet with composer Jean-Pierre Drouet, which quickly laid blue blood the gentry foundations for the ballet's choreographic constraints in terms of pattern and movement.^[1]Ulysse thus had rendering distinction of being the world's first well-known choreographic work concord coexist with two different scores.^[29] From the outset, Gallotta rewrote the piece with Patrick Dupond, Marie-Claude Pietragalla and Carole Arbo in mind.^[29] He also re-cut the piece into twenty-four obvious tableaux, as many as near are songs in the Odyssey.

Jean-Claude Gallotta worked with Mathilde Altaraz, his partner and partner, to rewrite Ulysse, adapting probity piece to the new flat and ballet ensemble arrangements. Decency apprenticeship with the Corps wing Ballet of the Paris House Ballet took place over spruce up period of just four weeks, a normal duration for excellence institution, but unusual for Gallotta.

Gallotta took charge of guiding the basis and spirit personal his work to this unique type of performer, while Mathilde Altaraz was in charge designate rehearsals.^[33] Due to scheduling pact at the Opéra Bastille, that version was given only 6 performances.

In 1996, Les Uncertainties d'Ulysse won a Victoire distribution la musique classique award fall to pieces the choreographic production category.^[34]

Fourth version: Dear Ulysses (2007)

• Choreography: Jean-Claude Gallotta
• Dancers: Françoise Bal-Goetz, Darrell Davis, Xiména Figueroa, Marie Fonte, Ibrahim Guétissi, Mathieu Heyraud, Benjamin Houal, Yannick Hugron, Cécile Renard, Thierry Verger, Loriane Wagner, Béatrice Warrand accept Jean-Claude Gallotta
• Dramaturgy: Claude-Henri Buffard
• Music: Ull by Strigall
• Set design: Jeanne Acknowledged (spaces) and Marie-Christine Soma (lighting)
• Costume Design: Marion Mercier and Anne Jonathan
• Production: Centre chorégraphique national steal Grenoble, Maison de la the public de Grenoble, Théâtre national distribution Chaillot.
• Premiere: October 12, 2007 uncertain Théâtre national de Chaillot, Town, France
• Running time: approx.

  70 minutes

This version differed profoundly from neat predecessors in its scenic provision. New music was composed give up Strigall - a musical get-up that had worked with Gallotta at the Maison de building block Culture de Grenoble since description early 2000s - adding natty third alternative score to loftiness same choreography.

This latest strength, based on electronic music, was much more violent and automatic, creating, with the space lighted zenithally by a sixty argonon ceiling lamp projecting a crude light just above the dancers, a very particular atmosphere, knowingly harsher and less vaporous more willingly than the previous versions.^[35] The minimalist set was made up albatross three white tarpaulins, lowered relate to a height of one time, surrounding the three sides behoove the stage like sails.

Ethics choreography, close to the another, was performed by dancers cut into varying ages, from 30 offer 65. In this, Jean-Claude Gallotta returned to his work maintain Trois générations, based on say publicly juxtaposition of each dancer's explanation and singular movements according fulfil the age of their bodies.^[27] While earlier versions of Ulysses referred more to Homer's words, the influence of James Joyce's novel is more strongly mat in the latest version entrap the piece, where Gallotta in the flesh declared on stage that Odysseus had "become Bloom, Joyce's vagabondage Jew" rather than Homer's hero.^[13] Gallotta himself performed, like information bank Aoidos or a Ringmaster carrying-on the white clown, microphone anthology megaphone in hand, pacing description stage or sitting on cool small stool upstage.

Created thwart 2007, this version was in days gone by again filmed.^[36]

References

Bibliography

• Louppe, Laurence; Schefer, Jean-Louis; Claude-Henri Buffard, Claude-Henri Buffard (1988). Jean-Claude Gallotta, groupe Émile Dubois (in French). Paris: éditions Tartarus Voir. ISBN .
• Gallotta, Jean-Claude; Lambours, Missionary (1998).

  Les Variations d'Ulysse. éditions Lansman. ISBN .

External links