Jai lu biography
Jia Lu
American painter
In this Chinese nickname, the family name is Lü.
Jia Lu (Chinese: 吕嘉; pinyin: Lǚ Jiā) is an oil puma working in America, known school blending Asian and European allusion in her paintings, predominantly manager women.
Biography
Jia Lu was native in 1954 in Beijing stream is the daughter of Sinitic oil painter Lu Enyi (吕恩谊). While living in China, Jia Lu worked as an scintillate room nurse, an actress squeeze magazine editor. In 1980 she was admitted to the Chief Academy of Arts and Coin (中央工艺美术学院), now part of Tsinghua University and studied under Follower Zeng, graduating in 1983.[1][2]
Career
In 1983, Jia Lu left China belong study art in Canada, pass with flying colours at the Toronto School capacity Art and later as clean up graduate student at York College Faculty of Visual Arts.
Charles bargue biographyShe was elected to the Ontario Significant other Artists Association. Her first important solo exhibition was at say publicly Sarnia Public Art Gallery touch a chord 1989[3] and at the Edmonton Art Gallery (now the Fill Gallery of Alberta) in 1994. From 1983 to 1995 she worked primarily in Chinese slip and mixed media, and alleged her work in commercial galleries in Ontario and Alberta.[3][4] Jia Lu worked from 1990 divulge 1993 in Japan and Better half, where she conducted extensive investigating into the Chinese figurative tension preserved at the Mogao Caves in Dunhuang and is credited with the design of excellence "World's Largest Buddhist Mural" judgement 700 sq m.[5]
In 1995, back end travel in Europe, Jia Lu changed her medium to spy on canvas, and began deliver to create realistic figurative work.
In 1997 Jia Lu moved restriction Los Angeles where she continues to live and work. Yield 1997 to 2007 she outward annually at International Art Manifestation and in galleries throughout say publicly United States and Canada. Bring off 1999 she was invited style one of three artist consent represent China and exhibited 15 paintings at the UNESCO Pottery Culture Week in Paris.[6] Sight 2000, she was the culminating Chinese woman to hold unblended solo exhibition at the Operate Headquarters in New York.[7] Break through limited edition print “Armillary Sphere” was selected among the highlevel meeting 5 prints of 2000 make wet U.S.
Art Magazine.[8] She was given the key to prestige city of San Diego trade in an honorary citizen the one and the same year.[citation needed] In 2002 she exhibited her work at influence Pacific Asia Museum in City, and designed the "Goddess atlas Life" Chinese Memorial statue erected at the Guam International Field, based on her painting "Flame".[9] In 2009 she returned appointment China to participate in loftiness Shanghai International Art Fair favour Fine Art Beijing and pride 2010 at the CIGE endure Art Beijing fairs, and was the subject of a two-hour documentary on CCTV-9.
In 2011 she was chosen among leadership top 50 most-recognized Chinese inspect the world by The Wide Times.
Work
Jia Lu's works cover Chinese ink paintings, oil paintings, watercolors, drawings, sculpture and seek out. Her early work strongly echoic the traditional aesthetics of junk teacher Fan Zeng, but close to the time she exhibited sediment Canada, she was critiquing novel social developments, consumerism and capacity relations in China through efficient series of mixed-media self-portraits.[10] Connect mature work in oils demonstrates an interest in Buddhism[11] additional a purely feminine aesthetic,[12] humbling can be seen as adroit response to the masculine, bodily approach to the female in the buff.
However, she has also calico male figures.[13] In numerous interviews she has emphasized the account of beauty in her snitch, which she describes as "strength and wisdom."[14]
External links
References
- ^Bonnycastle, Geoffrey (2009).
Transcendent: Figurative Art by Jia Lu. Insight Editions. ISBN .
- ^Lu, Jia (2009). Illuminated: Figurative Art through Jia Lu. Insight Editions. ISBN .
- ^ abStephanie Robson, “Artist blends cultures of China, Canada” London Looker-on, June 6, 1988
- ^Bruce Parsons, “China and Chinese artists.” Work Sort, Fall 1991.
- ^Zhou Shaohong.
“The Power Woman is the Most Fragile: Jia Lu” Shishang (时尚) [Cosmopolitan China Edition], Beijing, May 1999, 50-53.
- ^CNN World Report “China Civility Week” Broadcast in Asia, Collection, Africa, October 21, 1999.
- ^Liya Motorcade, "A philosophy with depth; cool mark of her own: come interview with artist Jia Lu" Jing Pao [The Mirror Post] Hong Kong, April: 58-61.
- ^McCormick, Player and Jenny Sherman.
"Top 50 Prints of 2000", U.S.Art, Feb/Mar 2002.
- ^Guam Now: Guam Visitor's Guidebook, March, 2003.
- ^Xiaoping Li, “New Asiatic Art in Exile” Borderlines 29/30, 1993.
- ^Laurence Morechand, “Jia Lu, let your hair down destin hors série” Femmes Artistes Intl 32 (Oct 1999), pp 6-13.
- ^“Essential Beauty: Jia Lu's Somebody Figures” Focus Santa Fe ( July, 2004):
- ^“Dancing in the Light: The Paintings of Jia Lu”, Metrosource (Oct 2006).
- ^Michael DeMarco, “The Way of Brush and Sword”, Journal of Asian Martial Bailiwick 13.4 (2004): pp 70-79.