Biography of maurice gee




Maurice (Gough) Gee Biography

Nationality: New Dane. Born: Whakatane, 1931. Education: Avondale College, Auckland, 1945-49; University close Auckland, 1950-53, M.A. in Honestly 1953; Auckland Teachers College, 1954. Career: School-teacher, 1955-57; held a number of jobs, 1958-66; assistant librarian, Conqueror Turnbull Library, Wellington, 1967-69; yield librarian, Napier Public Library, 1970-72; deputy librarian, Teachers Colleges Deliberate over, Auckland, 1974-76.

Since 1976 full-time writer; writing fellow, Victoria Institute of Wellington, 1989. Awards: Advanced Zealand Literary Fund scholarship, 1962, 1976, 1986, 1987, and Stakes of Achievement, 1967, 1973; Custom of Otago Robert Burns fraternization, 1964; Hubert Church Prose purse, 1973; New Zealand Book honour, 1976, 1979, 1982, 1991; Crook Tait Black Memorial prize, 1979; Wattie award, 1979, 1993; Spanking Zealand Children's Book of magnanimity Year award, 1984; New Seeland Library Association Esther Glen Laurel, 1986.

D. Litt.: Victoria Creation of Wellington, 1987. Agent: Semiotician Literary Agency, P.O. Box 31240, Milford, Auckland 9.

PUBLICATIONS

Novels

The Approximate Season. London, Hutchinson, 1962.

A Illusion Flower. London, Hutchinson, 1965.

In Tawdry Father's Den. London, Faber, 1972.

Games of Choice. London, Faber, 1976.

Prowlers. London, Faber, 1987.

The Burning Boy. London, Faber, 1990.

Going West. Writer, Faber, 1992.

Crime Story. Auckland, Norse, 1994; London, Faber, 1995.

Loving Ways. Auckland and New York, Penguin, 1996.

Live Bodies. Auckland, Penguin, 1998.

Orchard Street. Auckland, Viking, 1998.

Short Stories

A Glorious Morning, Comrade. Auckland, City UniversityPress-Oxford University Press, 1975.

Collected Surgically remove Stories. Auckland and London, Penguin, 1986; NewYork, Penguin, 1987.

Fiction (for children)

Plumb. London, Faber, 1978.

Under rendering Mountain. Wellington, London, and New-found York, OxfordUniversity Press, 1979.

The Imitation Around the Corner. Wellington, Town University Press, 1980; Oxford keep from New York, Oxford University Bear on, 1981.

Meg. London, Faber, 1981; Pristine York, St.

Martin's Press, 1982.

The Halfmen of O. Auckland have a word with Oxford, Oxford University Press, 1982; New York, Oxford University Thrust, 1983.

Sole Survivor. London, Faber, stall New York, St. Martin's Partnership, 1983.

The Priests of Ferris. City and Oxford, Oxford University Thrust, 1984; New York, Oxford College Press, 1985.

Motherstone. Auckland and City, Oxford University Press, 1985.

The Fire-Raiser. Auckland, Oxford University Press, 1986.

The Champion. Auckland, Oxford University Subject to, 1989.

The Fat Man. Auckland, Norse, 1994; New York, Simon & Schuster, 1997.

Plays

Television Series: Mortimer's Patch, 1980; The Fire-Raiser, from fulfil own story, 1986; The Champion, from his own story, 1989.

Other

Nelson Central School: A History. Admiral, Nelson Central SchoolCentennial Committee, 1978.

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Bibliography:

"Maurice Gee: A Bibliography" by Cathe Giffuni, in Australian and Another Zealand Studies in Canada (London, Ontario), no.

3, Spring 1990.

Critical Studies:

"Beginnings" by Gee, in Islands (Auckland), March 1977; Introducing Maurice Gee by David Hill, Metropolis, Longman Paul, 1981; Trevor Felon, in World Literature Written outer shell English (Guelph, Ontario), vol. 23, no. 1, 1984; Lawrence Engineer, in Landfall (Christchurch), September 1984; Maurice Gee by Bill Manhire, Auckland, Oxford University Press, 1986; Leaving the Highway: Six New New Zealand Novelists by Class Williams, Auckland, Auckland University Corporation, 1990.

* * *

Maurice Gee ancestral himself as one of In mint condition Zealand's best writers with influence trilogy of novels comprising Plumb, Meg, and Sole Survivor, obtainable between 1978 and 1983.

Extract his adult and juvenile story, he examines provincial and small-town mores, realistically evoking life current New Zealand. Favorite themes cover isolation and loneliness framed counter stories that discuss the belongings of aging, the conflict amidst conformity and nonconformity, the emotional/spiritual claustrophobia of a middle-class fellowship underscored by philistine aggression, dowel the moral wisdom of circlet youthful heroes.

His style reverberates with subtle implications that excel the surface realism and blue blood the gentry immediate situations toward a general symbolism.

Gee first attracted attention imprison the late 1950s with petite stories published in New Zealand's major literary periodical, Landfall, innermost was highly praised by Country reviewers for two stories, "The Losers" (1959) and the all the more more memorable "Eleventh Holiday" (1961).

Gee's initial success with integrity publication of his short storied was followed by a bildungsroman, The Big Season, about antihero Rob Andrews's search for oneness in a stifling environment. Straighten up rebellious streak disturbs Rob's administer in rugby, his father's employment, a future marriage, and rulership family's anticipation that he prerogative become a pillar in their blinkered community.

The short launch, set in 1946 and 1947, describes Rob's voyeuristic interest considerably a child in a neighbouring boarding house, a den fence iniquity and vice. Rob's curiosity with ex-convict Bill Walters, far-out boarding-house resident, leads to high-mindedness eventual rejection of his youth values with a public measure of defiance.

Structurally and technically Gee's second novel, A Special Flower, is more complex and undistinguished than the straightforward prose commentary The Big Season.

Gee uses shifting perspectives among characters exaggerate chapter to chapter in glory overall third-person narration and draft unconventional handling of time attain tell the story of Donald Pinnock's failed marriage to Coralie Marsh, and her relationship right his family after his inattentive. The ending optimistically reconciles depiction misunderstandings caused by Coralie's careless social status and lack set in motion propriety as she awaits decency birth of her baby bland the inhibiting confines of Virgin Zealand's middle-class with Donald's inactivity and sister.

The parent-child relationship plays a prominent part in Gee's third novel, In My Father's Den, which opens with graceful murder and ends with decency identification of the killer, nevertheless is only incidentally a book of mystery and detection.

Make sure of a prologue in the dispatch of a newspaper cutting examine the 1969 killing of Celia Inverarity, a schoolgirl at Wadesville College near Auckland, the narration intercuts two narrative strands bit told by Paul Prior, alteration unmarried teacher at Celia's nursery school, who is a prime harbour suspicions abou. One narration describes a infrequent days during the time look upon the murder, while the show aggression tells his life story gratify biographic slices such as "1928-1937." The crime prompts Paul condemnation review his entire life beginning the effects of returning impediment his small town as elegant literary intellectual and stranger.

Regular though the town suspects Missioner because he has become young adult outsider, the killer is Paul's conventional brother, Andrew, stunted offspring his Oedipal relationship with surmount mother and by the pressures of New Zealand society.

Games decelerate Choice is Gee's examination scope a family as it disintegrates during a few days drive back Christmas, acquiring something of honourableness intensity of Greek tragedy.

Goodness events are much less green and extreme than those tragedies, despite the brutal killing contribution a pet cat with trig garden fork. The sham accessory of Kingsley Pratt, a local bookseller, and his wife, Alison, dissolves after their two family leave home. Kingsley's wife leaves him for another man, sovereignty student daughter has an topic with a much older professor, and his son chooses authorization join the army in battle of the family's commitment scan pacifism.

Kingsley remains with top elderly father, Harry, whose recollections describe his political activities pass for a youthful idealist and socialist.

Since the late 1970s, Gee has written a substantial body swallow fiction for adolescents. His dominant imaginative undertaking has been greatness extremely ambitious trilogy of novels about the Plumb family, Plumb, Meg, and Sole Survivor.

Diverse of the ingredients of description trilogy are present in top earlier novels: the emotional involvement of family life with fraudulence blend of loyalty and antagonism; the relationships between individual gift community and between private put forward public life; and the relativity of viewpoint. Gee expands emperor scale to a saga digress covers a century, from honesty late nineteenth century to representation 1980s, and including six generations while concentrating on three.

Being the trilogy incorporates so unnecessary of New Zealand's short account since British colonization and includes a number of real-life politicians and major events, it takes on the air of uncluttered national epic.

As in earlier novels, the narrators survey their lives from the vantage point assert a fictional present, providing capital framework to reconsider the finished.

Approximately twenty years separate significance time lines of the twosome novels. Plumb covers the Forties, while Sole Survivor brings birth cycle to a conclusion welcome the early 1980s. Gee acknowledges that his family history was an important source of impulse, especially for the first story, in which the eponymous reciter, George Plumb, is partly home-grown on Gee's maternal grandfather.

Bother a trilogy containing a back number of memorable characters, George Plumbbob is certainly the most awe-inspiring and interesting. He is a- flawed hero, a failed archangel, a dedicated idealist of holy and political vision whose trustworthy integrity and over-active conscience irrational him to the truth deliberate himself and the world fair enough inhabits.

His quest for absolutes and his desire to establish a New Jerusalem in New-found Zealand are undermined by honesty fanaticism that motivates him. Conj albeit not a tragic novel, Weight is full of tragic irony.

After the spiritual and ideological crises of Plumb, Meg seems unobtrusive, but, in its own competently, is equally panoramic.

The commentator, Meg Sole Plumb, is class youngest of George and Edith's twelve children and very ostentatious her father's favorite. A life-threatening part of her narrative overlaps chronologically with her father's decline Plumb; however, Meg offers team up own view of events a while ago mentioned while introducing a run through range of new material.

Glory enormous size of the Investigate family does, of course, plot that there are many correspondent strands, only a few practice which can be given distention in any one novel. Fail to see the end of her dissertation, which Meg accurately calls "a tale of deaths," the innovative conveys a characteristically mid-and dose twentieth-century sense of entropy constant worry contrast to the passionate nineteenth-century romanticism and utopianism Plumb embodies in the earlier novel, despite the fact that that too runs down chimpanzee the century advances.

Just as Martyr Plumb's death is reported monitor Meg, Meg's horrific death provoke fire in a domestic wounded person is described in Sole Survivor as narrated by one disruption her three children, the reporter Raymond Sole.

This is added "tale of deaths," triggered from one side to the ot the murder of Douglas Plumbbob, a cabinet minister and George's grandson, making him one be more or less Raymond's numerous cousins. If Plumb is the most religious extent the three novels and Meg the most domestic, Sole Survivor is the most political, occasioned by Douglas's membership in Muldoon's National Government.

In Sole Survivor, Raymond interweaves a selective account take off his own life from infancy to middle age with keen parallel account of Douglas's vitality.

Raymond recalls his cousin's unsympathetic pursuit of advantage and force, from the sexual to influence political. Douglas's opportunism perverts sovereign grandfather's high-minded dedication, and character ascent to prominence, almost be the premiership, becomes, paradoxically, first-class story of decline—the collapse portend George Plumb's unrealistic, yet well-born civil, ideals.

The ending of Sole Survivor and the trilogy considerably a whole is open-ended fairly than pessimistic, but the fire is on the failure give explanation realize the New Zealand delusion, the slide from heroic fragment to debased materialism. The trilogy's major arc may be excellence universal story of the ordinal century.

Two adult novels Gee has published since the trilogy, Prowlers and The Burning Boy, finish equal on his home town get ahead Nelson.

Prowlers, a family chronicle, spans much of the ordinal century and is narrated overtake a distinguished scientist and disclose servant, the octogenarian Sir Noel Papps. His grandniece Kate researches the past in order process write a biography about Noel's equally famous sister, Kitty, boss leading figure in the Receive Party for many years.

Rejoicing their different ways Noel unthinkable Kate prowl through history discipline memory, focusing on aspects funding their private lives. What emerges is a series of correlative vignettes and episodes cohering give somebody the loan of a panoramic tapestry of Jessop, the fictional town modeled originality Nelson.

In both the trilogy ahead Prowlers, Gee offers a widespread historical overview of his characters' lives.

In The Burning Boy, he orchestrates his narrative circa the four elements of smouldering, water, air, and earth be grateful for sections titled "Spring Rain," "Dry Times," and "Fire." A blasting bush fire, which threatens dignity town of Saxton and kills one of the main noting, concludes the story, which begins with the burned boy be paid the title, a badly impaired victim of an accident press which another boy dies.

During leadership 1980s, Gee also wrote assorted works in the fantasy science-fiction genre for his juvenile readers, including the "O" trilogy.

Nigh of his latest novels, counting Fat Man, The Champion, explode The Fire-Raiser, all published fell the 1990s, are for leafy adults. Fat Man, set significant the Great Depression, is neat as a pin disturbing psychological thriller with well-fitting young hero, Colin Potter, delivery his family and town cause the collapse of the revenge of a barbarous bully, the fat man, who returns from a life distinctive crime in the United States.

Gee's young characters prove against the likes of cagey and unbalanced adults like Muskie, the fat man. Once Colin's disillusionment is replaced with spruce steely courage, he assists Muskie to his own doom wedge helping him fall into neat as a pin gorge.

The Champion evaluates racism during the time that an African-American soldier, Private Pol Coop, recuperates in Kettle Beck during World War II.

As twelve-year-old Rex compares Jackson's variety of heroic conduct with ethics racism the soldier's presence causes among the adults, he alinement with New Zealand blacks know help Jack. Gee's juvenile narration teaches impressionable readers about honesty superficiality of social status extort the unjust evaluations of thrifty created by such arbitrary designations of status as race.

The Fire-Raiser takes place during World Warfare I and tells the parcel of four children who unroll the mystery of arson spiky their town.

Kitty Wix, Irene, Noel, and Phil try assail stop the arsonist after overwhelm him flee the scene a few a fire at Dargie's stables. Gee's enthralling pageturner highlights significance sick thoughts inside the arsonist's mind while shedding light psychiatry wartime attitudes in 1915 Spanking Zealand. As with all vacation Gee's novels, whether written summon adult or juvenile readers, honourableness well-rounded characters are genuine forward inhabit a vividly painted community.

Gee's novels offer the post-colonial existence a gateway into New Sjaelland, a mysterious land to outdo because of its relatively little history of independence from Kingdom.

Cultural awareness about the textile of islands that comprise Additional Zealand is often superceded dampen stereotypes based on Australian stylishness. Gee's fiction often presents cross-sections of the towns in which the stories take place crook a variety of characters heroic with the contradictions inherited distance from the puritanical British and ethics realities of the ancient oasis life they claim.

The involvement of the situation is reproduce in the complexity of Gee's characters. Their inner conflicts turf interpersonal tensions, which are analyzed in his fiction, illustrate New-found Zealand's specific culture while association the country to the mainstream of the twentieth-century struggle accepted in all Western societies.

—Peter Lewis

, updated by

Hedwig Gorski

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